In the late 1950s a small group of young Japanese architects and designers joined forces under the title of “Metabolism”. Their visions for cities of the future inhabited by a mass society were characterized by large scale, flexible, and expandable structures that evoked the processes of organic growth. In their view, the traditional laws of fixed form and function were obsolete. Metabolism arose in post-World War II Japan, and so much of the work produced by the movement is primarily concerned with housing issues.

On April 15, 2007, the building’s residents, citing squalid, cramped conditions as well as concerns over asbestos, voted to demolish the building and replace it with a much larger, more modern tower.[1][2] In the interest of preserving his design, Kurokawa proposed taking advantage of the flexible design by “unplugging” the existing boxes and replacing them with updated units, a plan supported by the major architectural associations of Japan, including the Japan Institute of Architects; the residents countered with concerns over the building’s earthquake resistance and its inefficient use of valuable property adjacent to the high-value Ginza.[2] A developer for the replacement has yet to be found, partly because of the late-2000s recession.[1] Opposing its slated demolition, Nicolai Ouroussoff, architecture critic for The New York Times, described Nakagin Capsule Tower as “gorgeous architecture; like all great buildings, it is the crystallization of a far-reaching cultural ideal. Its existence also stands as a powerful reminder of paths not taken, of the possibility of worlds shaped by different sets of values.”[1]